Correctors and Corrections

Introduction Ancient scribes were at least as aware of scribal errors as moderns. Since all manuscripts were copied individually, each needed to be individually checked for errors. This process eventually came to be standardized. We don’t know how or whether early manuscripts were corrected. In a scriptorium, however, it was the practice that a manuscript be checked as soon as it was finished. This was the task of the diorqwths, literally “one who straightens,” which we might loosely render as “guy supposed to make this thing right.” The diorthotes was often a scribe specially trained to find and rectify mistakes, though we often find a scribe acting as his own diorthotes. The diorthotes was often the last scribe to work on a manuscript. (This is particularly true of Byzantine manuscripts.) But manuscripts represented a lot of expense and work; an owner might be reluctant to discard a manuscript simply because its text did not meet the tastes of the times. So we see many manuscripts, including Sinaiticus and Bezae, repeatedly corrected to bring them more in line with the Byzantine text. – In the past, correctors were often referred to by a superscript letter. So a referred to a reading from the first corrector of Sinaiticus, while b would refer to the second. It is now more normal to refer to correctors by number, making 1 the first corrector, 2 the second, etc. If a manuscript had only a sing[...x]